Sohee Goo delicately traces the boundary between stability and instability embedded in love.
Relationships can appear firmly fixed, yet even the slightest tremor allows an unfamiliar sense of distance to seep in. The artist translates this subtle emotional texture into the form of an egg, giving shape to sensations that were previously unseen.
An egg is not a form with a single correct answer, like a perfect sphere. Its top and bottom are ambiguous, and its balance shifts constantly depending on how it is placed. For this reason, the egg comes to resemble love. Unstable, yet capable of a balance that exists only within that instability.
By viewing and positioning the everyday object of the egg from multiple perspectives, the artist renders the elusive feeling of love visible while also inviting tactile imagination. In this process, stability is presented not as a fixed state but as a provisional balance that can tilt at any moment, while instability is framed not as collapse but as another form of movement.
On such a subtle and fluid boundary, can love persist without breaking, continuing instead in another form?
Rather than offering a definitive answer, the work quietly asks what sustains us, what unsettles us, and where the distance between the two begins.
I know you love me, but
2025
Frosted acrylic, silicone
6.5x50x5cm
I know you love me, but
2025
Inkjet print, frosted acrylic